Where did Jerome Kern live most of his life?
Early life. Kern was born in New York City, on Sutton Place, in what was then the city’s brewery district. His parents were Henry Kern (1842–1908), a Jewish German immigrant, and Fannie Kern née Kakeles (1852–1907), who was an American Jew of Bohemian parentage.
Where did Jerome Kern study piano and harmony?
His father relented, and later in 1902, Kern became a student at the New York College of Music, studying the piano under Alexander Lambert and Paolo Gallico, and harmony under Dr. Austin Pierce. His first published composition, a piano piece, At the Casino, appeared in the same year.
When did Jerome Kern start composing for movies?
Kern is believed to have composed music for silent films as early as 1912, but the earliest documented film music which he is known to have written was for a twenty-part serial, Gloria’s Romance in 1916.
Who was the actress in Jerome Kern Goes to Hollywood?
Elisabeth Welsh was nominated for a Tony Award for her performance in Jerome Kern Goes to Hollywood in 1986, and Show Boat received Tony nominations in both 1983 and 1995, winning for best revival in 1995 (among numerous other awards and nominations), and won the Laurence Olivier Award for best revival in 2008.
What kind of music did Jerome Kern create?
A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejected, earlier musical theatre tradition.
What was the first movie that Jerome Kern scored?
Another score for the silent movies, Jubilo, followed in 1919. Kern was one of the founding members of ASCAP. Kern’s first complete score was Broadway’s The Red Petticoat (1912), one of the first musical-comedy Westerns. The libretto was by Rida Johnson Young.
When did Jerome Kern start writing for Broadway?
While in London, he secured a contract from the American impresario Charles Frohman to provide songs for interpolation in Broadway versions of London shows. He began to provide these additions in 1904 to British scores for An English Daisy, by Seymour Hicks and Walter Slaughter, and Mr. Wix of Wickham, for which he wrote most of the songs.