When did Gil Scott Heron release free will?

It is the follow-up to Scott-Heron’s critically acclaimed studio debut, Pieces of a Man (1971), and it is the second album to feature him working with keyboardist Brian Jackson. Free Will is also Scott-Heron’s final studio album for Flying Dutchman.

What kind of music did Gil Scott Heron play?

Gil Scott-Heron. Gilbert “Gil” Scott-Heron (April 1, 1949 – May 27, 2011) was an African-American soul and jazz poet, musician, and author, known primarily for his work as a spoken-word performer in the 1970s and 1980s.

How did Gil Scott-Heron meet Brian Jackson?

It was here that Scott-Heron met Brian Jackson with whom he formed the band Black & Blues. After about two years at Lincoln, Scott-Heron took a year off to write the novels The Vulture and The Nigger Factory. Scott-Heron was very heavily influenced by the Black Arts Movement.

When did Gil Scott Heron release pieces of a man?

Scott-Heron’s 1971 album Pieces of a Man used more conventional song structures than the loose, spoken-word feel of Small Talk.

Who are the musicians on Gil Scott Heron?

One of Scott-Heron’s best known performances, “The Get out of the Ghetto Blues” is a moving ghetto warning and features bluesy instrumentation by pianist Brian Jackson and guitarist David Spinozza. The second side functions more as a live rap session with Brian Jackson on flute and a couple of percussionists.

What’s the meaning of Ain’t No new thing by Gil Scott Heron?

“Ain’t No New Thing” emphasizes Scott-Heron’s black pride, which he previously displayed on his debut album, by presenting an argument about the placement of black culture into the American mainstream: “Wiggy” is a haiku -like appreciation of natural black hair.

What are the themes of Gil Scott Heron?

The themes of police brutality, violence, and self-exploration are still present as they were on Scott-Heron’s previous albums. “No Knock”, a reference to a police policy whereby knocking is not required before entering a house, and “… And Then He Wrote Meditations”, a tribute to John Coltrane, continue these themes.